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  • The annual Ballet Production

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    • The annual Ballet Production
    Opera Europa
    A concert with Mehta and Pollini

    From Friday 3 to Sunday 5 May 2019 the students of the Ballet School, directed by Maurizio Vanadia, return as every year to the Piccolo Teatro di Milano-Teatro d’Europa for the traditional production, in which they face pieces of the classical and contemporary repertoire.

    The program, already brilliantly plaied at La Scala last March, is now repeated with The Realm of Shadows from La Bayadère by Marius Petipa and a William Forsythe creation, In the Middle, Somewhat Elevated.

     

    Photo Matilde Capelli

     

    The evening opens with The Realm of Shadows from La Bayadère by Petipa, a ballet by the Master of the Imperial Theaters of St. Petersburg created in 1877 on the music of Ludwig Minkus.

    The famous “White Act” requires high technical skills to the thirty-two young dancers since their entry into the scene, when they parade on an inclined plane in a difficult series of arabesques.

    Prince Solor is covered by Daniele Bonelli, a student of the 7th course. The unlucky bayadera is instead entrusted to the interpretation of Linda Giubelli, who attends the 8th course. The three soloists of the variations are Federica Azzone and Giordana Granata of the 8th and Matilde Colombo of the 7th.

     

    The second choreography is In the Middle, Somewhat Elevated by William Forsythe, the king of classical ballet deconstruction. The Ballet School had already played The Vertiginous Thrill of Exactitude in 2011. Today the dancers face a creation conceived in 1987 for the Paris Opera and entrusted for the first time to a school, which engages 9 dancers in a lashing choreography with steps on the verge of physical balance, on the flicks of the music of Thom Willems, historic Forsythe collaborator.

    Mrs Kathryn Bennetts, alongside the choreographer from 1989 at the Ballet Frankfurt and already his partner at the time when they danced for the Stuttgart Ballet, reassembled the piece and followed the students in the long preparation.

    On stage, six students of the 8th course (Federica Azzone, Carlotta Di Monte, Linda Giubelli, Giorgia Pasini, Samuele Barzaghi and Samuele Gamba) and three students of the 7th (Letizia Masini, Priscilla Volpe and Daniele Bonelli).

     

    The evening closes with all the students of the School on the stage for the Présentation created by the director of the La Scala Corps of Ballet, Frédéric Olivieri, on the Carl Czerny Etudes.

    The show is realized with the contribution of the students of courses in theatrical tailoring, theater make-up and hairstyle, stage photography and videomaking.

     

     
    Milano, Teatro Strehler – 3, 4, 5 May 2019
    Fri. 3 May at 8.30 pm
    Sat. 4 May at 3 and 7.30 pm
    Sun. 5 May at 4 pm
    Parterre: Full € 33,00 – Reduced € 21,00
    Balcony: Full € 26,00 – Reduced € 18,00
    www.piccoloteatro.org
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    Sunset Concerts


    Spettacolo istituzionale della Scuola di Ballo dell'Accademia del Teatro alla ScalaPiccolo Teatro StrehlerMilano20-03-2016

    The 2019 annual ballet production


    Schiaccianoci, di P.I. Ciajkovskij 15 Dicembre 2015 Piccolo Teatro Strehler Coreografie di Frédéric Olivieri Scene e costumi di Roberta Guidi di Bagno Ballerini della Scuola di Ballo dell'Accademia del Teatro alla Scala

    The Nutcracker by Frédéric Olivieri


    Lorenzo Viotti back to La Scala Academy


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    he La Scala Academy (Accademia Teatro alla Scala), under the leadership of BoD chairman Giuseppe Vita and director Luisa Vinci, is one of the world’s premiere institutions for comprehensive professional training in all artistic, technical, and managerial areas of the performing arts. Organized into four departments – Music, Dance, Stagecraft, Management – the Academy offers some thirty different courses attended each year by over 1,700 students.

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