Sabato 14 ottobre 2017 ore 20.30, presso il Teatro Ariosto di Reggio Emilia, l’Ensemble “Giorgio Bernasconi” dell’Accademia Teatro alla Scala sarà diretto da Marco Angius in un concerto “Astratto/Atonale. Intorno a Kandinskij”, in occasione della mostra “Kandinsky – Cage. Musica e Spirituale nell’Arte” ospitata presso la Fondazione Palazzo Magnani della stessa città.
Il gruppo da camera, specializzato nel repertorio del XX e XXI secolo, eseguirà la Sonata n. 7 op. 64, per pianoforte solo (1911) di Aleksandr Skrjabin, Cinque pezzi per orchestra op. 16 (1920 – versione da camera dell’Autore) di Arnold Schönberg, …Im Himmelreich, per 9 strumenti (1994) di Aldo Clementi, il Konzert op. 24, per 9 strumenti (1934) di Anton Webern, le improvvisazioni For Grilly di Franco Donatoni, per 7 strumenti (1960) e il Kontra-Punkte per 10 strumenti (1952) di Karlheinz Stockhausen.
Il concerto – primo appuntamento di due – “prende le mosse dalla temperie artistica e musicale vicina al grande pittore (Skrjabin, Schönberg, Webern), quella temperie cioè che esplorava avventurosamente universi espressivi sganciati sia dalla figurazione naturalistica – l’astrattismo –, sia dalla rassicurante armonia tradizionale – l’atonalità”.
Con questo evento si apre il programma artistico 2017/18 dell’Ensemble “Bernasconi”; i giovani artisti saranno quindi impegnati con tre date per il ciclo “I concerti dell’Accademia” al Ridotto dei Palchi del Teatro alla Scala, il 15 febbraio, 8 marzo, 13 aprile.
Informazioni:
15 € posto unico
Riduzioni
Over 65: 15%.
Under 28: 30%.
Studenti Unimore: 50%
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ENSEMBLE “GIORGIO BERNASCONI”
FLAUTO E OTTAVINO
Chiara Maria Scucces
OBOE
Pietro Savonitto
CLARINETTI
Giacomo Bonucci
Irene Marraccini (Clarinetto Basso)
FAGOTTO
Sofia Colliard
CORNO
Matteo Leone
TROMBA
Pietro Sciutto
TROMBONE
Flavio Placidi
PIANOFORTE E CELESTA
Gaston Polle Ansaldi
HARMONIUM
Alma Shaikimova
ARPA
Francesca Cavallo
PERCUSSIONI
Francesco Macrì
VIOLINI
Gemma Raneri
Diego Massimini
VIOLE
Sara Martínez Martínez
VIOLONCELLI
Caterina Ferraris
CONTRABBASSO
Andrew Coccoli
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